Lissea's Constant Complaints

-Disclaimer: This isn't an opinion post so much as a research-based post to help people. I give context, examples, and explanation but my approach here is neutrality- Kopa is Simba’s son from the Six Adventures books released shortly after The Lion King’s release, however, the writer did not know that Simba’s cub would be raised at the end of the film, hence why this cub and Kopa look so different. The books are considered semi-canon. Fluffy, as dubbed by the creators, is Simba’s cub raised at the end of the Lion King. While officially ungendered, given the context of the film, and the ways he keeps to real life lions, plus coming full circle, and the film being called The Lion King, we can assume that we are being shown the next king. In real life, prides are run by one or more male lions. T anabi is the name given to Fluffy by a fan-fiction writer from the mid-nineties. The name stuck for many fans, with a lot not realising its origin, or that Tanabi and Fluffy are one and th...

Psycho-Pass: Providence is absolutely brilliant. It does everything nothing else can do. It is dark, without being grim. It has multiple poignant deaths, without being depressing. It has a sad ending, which is still satisfying. It makes you think and has a message – naturally, and through storytelling – not by being forced. My only complaint today is that I don’t know what happens next!

Let’s start by saying there are only about five shots of the titular character – at least as a turtle. I knew better than to hope this movie was an animal fantasy film, which was good, because it wasn’t even really fantasy, more surreal satisfaction. Uncanny valleyish, actually. And not in a good way. There is basically no story at all until about three quarters of the way through the film, and once there is, it just gets weird and, well, stupid. I knew that it wasn’t going to be my favourite film of all time when I realised Studio Ghibli was involved – I simply don’t get on that well with their storytelling style – but it you hadn’t known this was Studio Ghibli, you never would have guessed. What’s the opposite of putting all their previous work to shame? Well, it’s that. I’d barely say there was character design or art style at all. More what you get when you have neither. The animation was . . . mostly walk cycles – you know what you’re supposed to avoid where you can as an animator...

For me, an eight-year-old watching KPop Demon Hunters is like an eight-year-old reading Twilight. They like it, but they don’t truly understand it (not that Twilight has that much to understand!). To find that the lower end of KPop Demon Hunters target bracket is that age group seems ludicrous to me. When I first saw the film I assumed it was aimed at teenagers, and was glad companies were finally doing what I thought they should have been doing all along – and I am no teen, or eight-year-old! They say films and books ‘find their audience’ and to me, that’s what happened. While objectively there is nothing unsuitable for children this age (assuming you are talking up to them as, say, anime generally does), it does feel too deep and dark to be purposely aimed at them. Everything about the film from the direction, to the dark tones in the art work among the colour etc screams teens or older. Truly, it is verging on Young Adult (general sense, not publishing sense!). In fact, to me it...

Surprised I haven’t got to this sooner in a way. Someone wrote something on DA saying Disney didn’t copy Kimba because it would have been a bad business choice. This sounds a very innocent viewpoint to have, and while I wrote a few points in a comment then (only indirectly addressing the subject), it set me on the track of writing a proper piece related to that and the topic in general.  First off, as we can see from the modern day, Disney doesn’t care about their reputation. Or at least, it isn’t their main priority. There is mountains of evidence that Disney did copy it all over the internet, from comparing images, to script that’s the same, to white Simba concept art. All the characters have an exact counterpart who very frequently looks very similar too.  There’s also the well known fact that half the people working on it thought they were working on a Kimba remake. This at least means, Disney were copying it, even it were a misunderstanding of sorts. Kimba’s creator and D...

 Campion has been working against Woundwort this whole time, only to save him? It is not convincing Campion would do this. A lot of the spy stuff doesn’t make sense actually, but this is the limit. He has Primrose and Blackberry to protect for a start. Conflicted he might be, yes, but that level should only make him mournful when Woundwort is dead, not prevent it from happening. There are a lot of implications too, like Campion basically being responsible for every bad thing that happens in series 3. Speaking of series 3, this ending makes Campion’s series 3 setup utterly ridiculous. So, Campion saves Woundwort, and Black Rabbit be like, you’ve got to kill Woundwort now. If this was supposed to be deliberately dark and ironic, it would be super clever. Unfortunately, it clearly isn’t, not to mention that this setup comes to nothing in the end anyway, but I digress. The big one for me though is that the Watership Downers themselves should not have reacted to Campion’s perceived deat...